霜田誠二(1953年生れ)

Seiji Shimoda

 

1970/高校紛争の時代の長野高校在学中に詩を書き始める。

75/大阪市立大学在学中に美術、実験演劇、パフォーマンス開始。

77/東京を拠点に国内各地での公演ツアーを開始。

79/東京キッドアイラックホールで年間100回公演。

80/99篇の詩を集めた詩集「店」発行。

82/パリ3ヵ月滞在、各所で公演。

*以降東西欧・アジア・北中南米を含む世界50ヵ国、300を超える芸術祭に招待され現在にいたる。

*国内では80年代にいくつかのイベント企画を行ない、93年からニパフを主宰し、96年から夏にアジア連続展+サマーセミナーを開始。

*海外公演実績(2000年以降)

00/ベッシー賞2000(ニューヨーク・ダンス&パフォーマンス賞)をアジア在住芸術家として初の受賞。

01/ミャンマー、イスラエル、フランス、インドネシア、中国、イタリア、アメリカ、韓国。

02/中国、メキシコ、台湾、スロバキア、ハンガリー、韓国。

03/中国、フランス、イタリア、ベトナム、フィリピン、台湾、スロバキア、ハンガリー、ポーランド、セルビア・モンテネグロ、キューバ、スペイン。

04/台湾、中国,イギリス、北アイルランド,ミャンマー、シンガポール,ケベック,ベトナム,チリ、アルゼンチン。

05/中国5都市、シンガポール、ミャンマー、マレーシア、チリ、アルゼンチン、ウルグアイ、アイルランド、北アイルランド。

06/フィリピン、台湾、インドネシア、ポーランド、スロバキア、中国4都市、メキシコ、リサーチ;カンボジア、ペルー。

07/フィリピン、インドネシア、フランス、台湾、ポーランド、マカオ、中国3都市、香港。

08/スペイン、カナダ、アメリカ,フィリピン、ポーランド、スウェーデン、ベラルーシ、ベネズエラ、韓国。

09/韓国、ギリシャ、ベトナム、ミャンマー、インド。

10/台湾、バングラデシュ、中国、カンボジア、マレーシア、インドネシア、インド。

11/インド、バングラデシュ、

 

 

Seiji Shimoda is the most active performance artist in Japan. The field of performance art is now becoming one of the most exciting fields in the contemporary art scene in the world. He was invited in various kinds of Festivals, Museums, Theaters and Art centers in over 20 countries in the world. Shimoda is 43 years old now, born in 1953 in Nagano city, 2 and a half hours from Tokyo by train, very beautiful mountains area. He entered to high-school in 1969 and that time was the last moment of student movements in Japan, like anti-Viet Nam War, antipollution, anti-system, so on, like another western countries. He organized some demonstrations and meetings in his high school time. But in Japan such student movements were completely defeated in early 70's. So he stopped to go to high school in one year and traveled inside Japan by hitchhike.

 

Then he started to write poems. Those poems were like fantasy or dark dreams. He sometimes published them in small number books for his friends. And through writing poems, he could get some inspiration of body expression. For him, that was not dance, not theater but just performance art instead of writing poem. He had started this activity in 1975; when he was 21 years old.

 

After that, he started to travel again in Japan with his art. In those days in Japan, there are some so-called Live Houses movement. Live House had live concerts and another events in almost every week ends. He performed so many times in such places. In 1981 he published his poetry book, the title was Coffee shops . lt was over 200 pages one.

 

In 1982, he went to Paris with very small money and stayed there for 3 months. The reason, why he went to Paris, was just some audience in such Live House gave him one way free ticket to Paris, because the ticket value was only 10 days and the audience had no time to use it. lt was very soon that he finished his money in Paris. Then he had started to do street performances, because he had no way to earn money to survive in cold Paris. He did nearly 100 times street performances in very cold Paris in January and February in 1983.

 

After coming back from Paris, he started to organize some art events in middle 80's. Like 1 min. original poetry reading tape, 1 min. free song tape, 10 min. performance festival, 21 min. chain performing arts festival, Book media perform and so on. Many young artists, musicians, poets, dancers, film-makers etc. participated those events from many cities in Japan. Then he had started to go to Europe again since 1987. His special strong body expression was acclaimed as very high quality impressive art in western Europe.

 

In the 90's he enlarged his area to other Asian countries like Korea, Hong Kong and Taiwan. Those his presentations were very shocking events there, because of his nakedness. One organizer in Hong Kong asked the audiences, if someone didn't want to see man's naked body, he would pay back audience fee and please went back to home. But no audience went back and they all gave him very big applause.

 

In Japan he was arrested by police twice in 1979 and 1984, because of his naked outdoor performance. In each time he fought for freedom of expression against police. But now today in Japan he is one of best well known artists in performance art scene, and his report by writing and video-tapes about performance art festivals in various countries in the world are very precious things in Japan. Now some museum asked him to organize some video event of world performance art.

 

In '93, he succeeded to organize first full fledged International Performance Art Festival in Japan, in Nagano, that 14 leading artists from 10 countries were participated. In '95 &'96 he organized the 2nd & 3rd festival (NIPAF'95, '96) in Tokyo and Nagano with 15 artist from 14 countries. In '96 he started to organize Asian Performance Art series and NIPAF Summer seminar. In 97 he organized 4th NIPAF and invited 9 international and 9 domestic artists.

 

His new piece since '96 Gracias Marcos, Adios Marcos" is dedicated late Polish - Mexican artist Marcos Kurtycz, who died this year in 61 years old by lung cancer.

 

His piece since '95 WHAT'S NEXT ? is like his poetry world. He uses many poetry words and only small action. His piece since '94 MY COUNTRY treated the issue of the nationalism. His well known performance ON THE TABLE was started in 1990 and treated the meaning of human gathering. This was perforrned in 20 countries festivals, theaters and museums, and acclaimed as one of the most important works in the world.

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